Last night's opening of Doubt went well, thank goodness, and this morning I'm kind of a wreck; not because I was out late last night (I wasn't) or because I had much to drink (I didn't), but because I feel like a spring that was coiled too tightly and is now unlooped on the floor.
I have about nine hours to coil the spring back up for tonight's performance, so plan to spend the day on things that will annoy Sister Aloysius, including self-indulgences like whining and writing with ballpoint pens. In fact, I've already done some of both this morning.
Five performances of Doubt remain; you can book tickets here.
1. "The Enemy Guns," DeVotchKa. This album (How it Ends) was a gift from the fabulous Jennifer Jordan, and is in constant rotation on my iTunes playlist. It's a unique sound that combines guitars, accordion, bouzouki and a wide range of percussion instruments with something that might be a wind instrument or might be a theremin, I can't tell.
2. "Firecracker," Ryan Adams. A young man's song: "Everyone wants to go on forever/I just want to burn up hard and bright."
3. "Drawn in the Dark," X. I forgot all about this track when I was making my list of scary songs. Hmm. It's a cool, spooky song with a great, menacing bass line, off Hey Zeus!
4. "Matinee Idyll (129)," Split Enz. What makes this sound — jangly piano, horns, violin, mandolin — so undeniably mid-'70s?
5. "Koka Kola," The Clash. I too take my advice from the advertising world. Or at least from Don Draper.